Art, Creativity, and the Future Lions.

Are you an artists, creative, or a Future Lion?

Creative tools can be taught… just get on Youtube,, Abduzeedo, or any tutorial site. Art skills and design takes a little more effort to develop, they take time, patience, and practice; however, with so many tools that offer all sorts of automation add the ubiquitous inspiration sources, one should be able to snap ‘art’ together quickly. Not only can you make ‘art’ quickly, you can make all sorts of ‘ooh’s’, ‘ahh’s’, ‘haha’s’, and ‘wow’s’ with how quickly you can get it published to the masses… like ‘ermahgerd’ one click and it’s on instagram, fb, twitter, pintrest, tumblr, outer space, and with all the SEO on auto mode it’ll get picked up by an unsuspecting recluse searching for something completely unrelated. So, you too can be an artist, but everyone can all be artists, don’t believe me? Check at the documentary PressPausePlay and hear it yourself from legends like Moby, producers, and other ‘ARTISTS’ (capitalized intentionally).

However… creativity is not so easy and creativity that meets strategy is something else. This is where you ask your work if it going somewhere? Does it have a goal? Does it have an intention? Does it have the capacity to evoke a carefully calculated quantifiable reaction with award winning qualitative potential? This is an animal that if you can tame you are truly a creative mind. There are schools that teach those who already have the artistic knack to be able to hone their skill in and truly be strategic creative thinkers. These schools are out there and at Cannes 2012 the Future Lions winners were revealed.



AKQA Announces Winners of Future Lions 2012

Five winners were honored for their category-busting ideas, while School of the Year went to Miami Ad School Hamburg.

At this year’s Cannes International Festival of Creativity, AKQA introduced a brilliant collection of category-defying ideas from the next generation of creatives, at its 7th annual Future Lions awards.

The awards, which AKQA founded in 2006, focus on the best ideas for brands without constraints placed on technology or medium used. They also recognized Miami Ad School Europe in Hamburg as School of the Year, for the school that had the greatest number of shortlisted finalists.

AKQA co-founder and chairman Ajaz Ahmed and chief creative officer Rei Inamoto took the stage to present the year’s five winning teams, chosen from 1,077 ideas submitted by students from 40 different countries–a big leap from the opening year’s 34 entries. Yet despite its size, the brief, “to advertise a product in a way that wouldn’t have been possible five years ago,” with no technological requirements, hasn’t changed in the show’s seven years, said Inamoto.

Among the winners was “Made by Waves,” by Patrik Beskow and David Lunde of the Berghs School of Communication. The idea, for surf brand Quiksilver, would install waverollers at the bottom of the ocean in Huntington Beach, Calif., so the brand could produce all of its products with wave power, turning Quiksilver into more than a brand made for waves, into one made by them, that actively helps to eliminate the ecological threats that could wipe out surfing entirely.

Another winner was “Penguin Soundtracks,” created by Lisa Zeitlhuber and Nicholas Partyka of Miami Ad School Hamburg. Because people are reading less, the project, for Penguin Books, devised a way to give e-books a “soundtrack,” using Spotify. Inamoto said the project “creates a new form of consuming stories.”

“Wasted German youth” were the focus of another winning entry, ‘Blackout Recorder,’ created by Florian Weitzel and Yvonne Truun of Miami Ad School Berlin. The app, which would actually be a brilliant tool for this week’s festivities, records your whole night of drunken revelry–so the following day you can see where you went and track your other activities. It also helps you preserve your dignity by blocking you from calling or texting ex-girlfriends, ex- boyfriends or parents.

The only U.S. winner was ‘Bing Automatic,’ created by VCU Brandcenter’s Chris Sheldon (one of the masterminds behind popular Tumblr ‘Depressed Copywriter‘) and Marybeth Ledesma. The search engine worked with Microsoft Word, Powerpoint or Outlook to predict what you needed to find before you ever even have to search for it. Inamoto revealed that the creators were given “five minutes” to present the idea to Microsoft’s CMO, but that actually turned into a 35-minute sitdown in Cannes.

The final winner was “Post from Japan,” by Kristofer Salsborn and Rickard Beskow of Berghs. A social idea meant to reignite tourist interest in Japan in the wake of the tsunami and earthquake, “Post” is an app that lets tourists upload photos of their holiday and in return, gain minutes of online access for every “Like” they receive on their posts. The idea was to replace the images of Japan on the Internet as a devastated country with a more up to date, positive one. Inamoto said that it turns what many brands have made a “barrier to content,” the Like button, into a useful tool for users and their friends.

Inamoto closed the event on an inspirational note with a couple stories about his father. After graduating from high school his dad wanted to become a writer, and sought advice about starting his career from his uncle, a professional author. Uncle Inamoto had told Rei’s father to go home and write five pages every day for an entire year. He took the advice and after that year was up, his uncle read his first written pages and then the final ones. He said, “You know what, you didn’t improve much, so you should probably give up.” But, it turns out, Papa Inamoto didn’t, and years later, he’s now a published author of about ten books. “The point is that if you love something you just have to keep at it, and it will pay off,” Inamoto said.

He then shared a story about how he was late in telling his dad “Happy Father’s Day” because he was caught up judging at the festival. Later, his father returned the greeting with a post on his Facebook timeline: “Thanks I hope everything is well in Cannes.”

“It just broke me down in tears,” he said. “We live in a time of such amazing technology that even with a simple click, a Like, a plus one, a 140-character Tweet, status update, you can touch people’s hearts. It affected me so much that I had to just cry for 45 minutes, and I don’t really cry that much. ”


Leave a Reply

Your email address will not be published. Required fields are marked *